Mathilde Neu

Music streaming is going through a strong evolution, keeping up with new models and consumption habits. What have been the latest actions taken by the industry?

We've heard a lot about the attention recession; we're getting out more than in the last two years, platforms are losing subscribers... What happens next?

The struggle of playlisting is a high stakes topic. With the rise of the number of productions and releases, discoverability is a game changer.

Last year, we switched our website to a no-code platform. Here is our return of experience and why everything is actually way smoother than ever before.

What does it mean when a track or any kind of asset is public domain? What's the meaning for the music industry? Let us tell you all about the implications

What does it mean to be a SaaS solution for the music industry? Reprtoir unveils the secrets of building a strong solution solely suited for music companies.

It's an interesting time to look at how the platforms supporting the music business have been evolving, from the main actors of the music industry to new ones

This week has been interesting in the sense that a lot of trends we noticed before are keeping up. From the music industry itself to its connection with others

Who are the aggregators in the music industry? Why are they such a big use nowadays and most of all, who is Reprtoir working with among them?

It doesn't hurt to get back to basics from time to time: let's talk about 360 deals in the music industry and their place in our field today.

From artists’ recognition to understanding the intricacies of the music business investments, let’s talk Weekly Roundup!

Marketing in music can be a rough operation. From social media to sync operations, sometimes it is barely manageable for a team, let alone a solo artist.